The Founders
Jonathan Reed
Jonathan Reed is a designer who, for over 30 years, has worked with private clients around the world to create houses and interiors, their furnishings and landscapes.
These houses are unique, of singular quality, and with a strong sense of place.
Jonathan’s work is distinguished by an exacting eye and relentless search for the best in furnishings, textiles and art. His style has evolved working with teams of highly respected, independent builders, makers and master craftspeople.
No two projects are ever the same. The approach to every new commission begins with the creation and understanding of its distinctive language of design, materiality and detailing.
With a passion for natural materials and the myriad techniques employed by craftsmen who have dedicated careers to mastering them, his approach is defined by extraordinary detailing. A Jonathan Reed project is instantly recognisable by its use of colour, texture and form, and is enriched with an atmosphere of generous warmth.
Graeme Black
Nature, form, colour and texture have been defining elements of Graeme Black’s life and work from his childhood on the rocky east coast of Scotland and his career as an acclaimed international fashion designer, to his current role as a burgeoning artist nestled in the Yorkshire Dales.
Born and raised in Angus, Black graduated from the Edinburgh College of Art in 1989 before heading south to pursue his career in pulsating 1990s London. After cutting his teeth working under John Galliano, Arabella Pollen, Zandra Rhodes, he went on to spend 15 years in Italy, working closely with Giorgio Armani on his womenswear collections before becoming Creative Director of womenswear at Salvatore Ferragamo in Florence.
After spending several years traversing the globe to China where he worked as Creative Director of fine-cashmere brand, Erdos 1436, in 2016 Black decided to step back from his three-decade fashion career and devote his time to the regeneration project he and his partner had embarked on in the extraordinary landscape of Upper Wensleydale. It was here where he found his artistic raison d’etre.
While restoring his surroundings - planting new forests, reinstating old wooden gates and regenerating meadows and untouched land - Black was afforded the time to slow down, hit reset and appreciate the changing of seasons for the first time in years. Working the land, he became captivated by the trees around him.
It wasn’t long before their sculptural form, chameleonic colouring and naïve complexities came to life on canvas in a converted 18th century cattle barn.
Black uses his instinctive understanding of tone and texture to capture the fleeting forest moments he experiences. Starting with charcoal sketches on raw-cotton backgrounds, Black creating depth by working with palette knives to apply layers of oil paint which are experimentally mixed to capture the nuances of colour in nature.